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Of course much about Twin Peaks: The Return seems governed by the logic of a dream. Nightmares have always been David Lynch’s metier, and he and Mark Frost’s long-awaited 18-part revival series is thoroughly, obstinately phantasmagorical. But while the efforts of Special Agent Dale Cooper (Kyle MacLachlan) to shake off a quarter-decade slumber and thwart his nefarious doppelganger sometimes seemed fantastic, they still retained the shape and momentum of narrative television: However strange, there was a plot. The same can’t quite be said of our time at the Roadhouse. The nightly shows felt ethereal, hallucinatory—unreal somehow, even by Lynch’s standards. Did these concerts really happen? Does the Roadhouse exist inside a dream?


Various The Original Sound Track From The Film Black OrpheusVarious The Original Sound Track From The Film Black OrpheusVarious The Original Sound Track From The Film Black OrpheusVarious The Original Sound Track From The Film Black Orpheus

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